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- <text id=93TT0392>
- <title>
- Oct. 11, 1993: Reviews:Television
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1993
- Oct. 11, 1993 How Life Began
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- REVIEWS, Page 82
- TELEVISION
- They Were All HerosS
- </hdr>
- <body>
- <p>By RICHARD ZOGLIN
- </p>
- <qt>
- <l>SHOW: I'll Fly Away</l>
- <l>TIME: OCT. 11, 8 P.M. (MOST STATIONS), PBS</l>
- </qt>
- <p> THE BOTTOM LINE: NBC's fine series about race relations in the
- South gets a stilted and sentimental send-off on PBS.
- </p>
- <p> I'll Fly Away, NBC's fine, thoughtful series about a small Southern
- town in the late 1950s, always seemed like an anachronism in
- the 1990s. A network drama with no guns, drug pushers or colorful
- small-town eccentrics--just a lot of ordinary people on the
- cusp of the civil rights movement. The surprise isn't that the
- show was canceled last spring after two seasons, but that it
- developed a big enough following to encourage creators John
- Falsey and Joshua Brand to produce a two-hour movie finale for
- PBS. The public network airs it next week, launching a 38-week
- reprise of the original series.
- </p>
- <p> The movie, sadly, is a disappointment. Stilted and sanctimonious,
- it labors under a pair of common PBS problems: too little production
- money (a lot of static dialogue scenes) and too much preaching.
- The film opens in the present day, with Lilly (Regina Taylor),
- the Bedford family's former maid, now a successful 60-year-old
- author. Baby-sitting her grandson, she lectures him about the
- civil rights movement and gets out her old scrapbook. Fine way
- for a kid to spend a Saturday night--but by the end of the
- show he is properly reverential. "You were all heroes," he says.
- </p>
- <p> And they are, in a sentimental way that the series usually avoided.
- In the flashback that makes up the bulk of the movie, Lilly
- recalls the incident that forced her and her family to leave
- town: a friend's nephew from Detroit pays a visit, and his defiance
- of segregationist protocol leads to tragedy. The movie makes
- old points with new heavy-handedness. A black man courageously
- identifies the suspects in a race crime while a boorish white
- cop munches pickles and mayonnaise in the squad car. Lilly's
- daughter stands sweating in her clothes while John Morgan, the
- Bedfords' youngest, frolics in a whites-only pool, as the camera
- crosscuts incessantly.
- </p>
- <p> Still, the movie works up some nostalgic emotion at the end,
- when Lilly says goodbye to John Morgan and, 30 years later,
- pays a visit to his father (Sam Waterston). Doddering convincingly
- in old-man makeup, Waterston wrings tears by almost literally
- reading the phone book--reciting to Lilly what his kids have
- done since she left. Then he pays her a belated tribute: "Thirty
- years ago, you helped to open my eyes." And, in a small way,
- ours too.
- </p>
-
- </body>
- </article>
- </text>
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